Showing posts with label Let's Wrestle. Show all posts
Showing posts with label Let's Wrestle. Show all posts

Friday, 30 December 2011

My top-10 albums of 2011

Even if it has been a great year for music, it hasn't been a particularly great one for new albums. I've discovered a lot of new bands and been to alot of awesome shows, but I was struggling a bit to find ten records that had impressed me.

But, I got there in the end...so here goes...in reverse order...my top-10 albums of 2011

Apologies for the random mixture of videos, sound cloud players and youtube 'audio streams'...these are actually just boring "videos" of the album artwork that someone has uploaded, but I've turned the height way down so you only see the player bit. I'm sure this will mess up in some browsers. Sorry.

10. Black Lips – Arabia Mountain
There were some major warning bells when I heard that Mark Ronson was producing the new Black Lips album, but it turned out alright...great even. Arabia Mountain is just a really awesome record! Their last album didn't do much for me, but this one really brought back memories of their incredible Good Bad Not Evil from 2007. Although this is a much bigger sound and much more polished than we're used to, it's never "too much" and in the end the record just feels well-produced rather than over-produced. Great stuff! It's difficult picking a favourite track. There are so many awesome songs to pick from, but in the end I just love the chorus to Mr. Driver too much. It has to be that one. It was stuck in my head for so long over the summer.

Favorite track: Mr. Driver
The Black Lips - Mr. Driver by pillowjungle

9. Cloud Nothings – s/t
This one was released in the early days of the year and I was still listening to it regularly in the summer. That doesn't happen very often, so hats off to Dylan Baldi & Co. This is fun and bouncy garage pop of the best kind. Not overly serious, but never too juvenile either. I also managed to catch them live twice and they're sooo much fun. And then there's the videos! Eeek...some maximum weirdness going on there. It's a great song, but I'm still not sure how I feel about the gagging-on-hair video for Should Have. It's on youtube if you like that sort of thing. So, high expectations for this gang in the next year, since they already seem to have everything sorted...great on record, great live show and great (but weird) videos.

Favorite track: Not Important
Cloud Nothings - Not Important by polaroidblog

8. Standard Fare – Out Of Sight, Out Of Town
After their amazing debut album last year, this was surely one of the most eagerly awaited indiepop releases of 2011. Did it live up to expectations? Of course it did! Emma is one of the best songwriters in indiepopland and this is another great record. And it's not just Emma...some of my favourite tracks on the record are Danny's this time. The songs on here are all great, but I must say that for me Standard Fare are really a live band...that's when the songs really shine.

Favorite track: Call Me Up

7. Let's Wrestle – Nursing Home
Let's Wrestle went all the way across the Atlantic to record this one. And who was doing the knob turning if not indie legend Steve Albini! Was it worth it...did they really need to? I'm not sure. The songs are all great, but I do find some of the production a bit strange...especially the drum sound on some of the songs (mainly on If I Keep On Loving You). Was this on purpose? Maybe. I don't know. The classic punk records are not really famous for their amazingly recorded drums. Anyway, who cares? It's all about the songs and as I said they are all amazing! Another brilliant record from London's finest punk kids.

Favorite track: In Dreams Part II

6. Veronica Falls – s/t
It was a long wait, but Veronica Falls finally released their album. Yes, there are quite a few songs on there that had already been released on various seven-inches, but those songs are all fucking ace and it would be a shame for people discovering the band to miss out, so that's fine in my book. This is dreamy garage pop at it's very best. It's not often I notice these things, but I really love their drums. They take you by surprise over and over again and just when you think it's not working...it just becomes part of it all and works just perfectly. Did that make any sense? Probably not. Same thing with the lyrics. I have no idea what most of the songs are about, but every time I try to listen and make sense of them I get carried away by the music and the subject matter becomes irrelevant.

Favorite track: Bad Feeling

5. John Maus – We Must Become the Pitiless Censors of Ourselves
I don't really know much about John Maus, apart from that he occasionally plays with Ariel Pink and is on Upset The Rhythm's label. Oh, and that this album is fucking incredible. That's all I need to be sure of for this kind of list, I suppose. It's full of echoey and reverbey goodness, with repetitive melodies that wrap around your brain like some sort of warm crazy blanket. Erm...yes...and then you find yourself humming 'let's kill the cops tonight' out loud on the tube and people stare. But, it's great! He's also a complete loon bag (in the best possible way) live...an absolutely mesmerising performer.

Favorite track: Cop Killer

4. The Death Set – Michael Poiccard
I've listened an insane amount to the Death Set's 2008 record, Worldwide, so this one had a lot to live up to. After the sad death of bandmate Beau Valesco in 2009, the band understandably took a bit of time to figure out what to do. Nobody would have blamed them for calling it a day, since Beau was very much part of what made them such a great band, both on record and live. But they decided that he wouldn't have wanted them to give up...and what better way to keep ones memory alive than to keep doing the thing they loved. From the first line "I wanna take this tape and blow up your fucking stereo!" to the last note, Michael Poiccard is just bursting with energy, some happy, some sad, some angry and some just very sweet. It's certainly better produced than Worldwide and although I kinda miss the rubbish drum machines at times, Michael Poiccard is still definitely a record that I'll keep on playing for a long time.

Favorite track: Can You Seen Straight?

3. Times New Viking - Dancer Equired
If there was one band I hoped would never "clean up their sound" it was Times New Viking. I adore all of their previous releases and as news of a change in direction for this record started popping up on the interwebs, I was getting worried. Part of their charm (to me anyway) was that you had to work hard to appreciate the songs. Somewhere under the cloud of hissy, distorted noise were these beautiful and incredibly catchy melodies. I shouldn't have worried...even though this is a massively smooth record in Times New Viking terms, it is still far from clean and dull. And those melodies...they're are as strong as ever! Awesome!

Favorite track: Fuck Her Tears
Fuck Her Tears by Times New Viking

2. Humousexual – Grenzenlos
It's only seven tracks, but I'm gonna call it an album. Sue me. This record just blew me away in a way I never expected. Sure, I like Tahini Beach Party, but it never made me feel like this. From the first song to the last, this is an incredible little album and sadly one that far too few people will ever hear. Or is it sad? Maybe we don't want "them" to find out about Humousexual? Maybe they're one of those bands that should be treasured by a few. I'm pretty sure Victor and Boitel are reasonably happy with that...if not, I guess I'll help spread the word some more.

Favorite track: No Borders (but a very close second is the quieter last song, Come On In..and that one is on youtube)

1. Japanther – Beets, Lime and Rice
Readers of this blog will know how I feel about Japanther. They keep impressing me more and more, record after record, show after show and this is no different. It's just awesome. It's a bit less upbeat than last year's Rock n'roll Ice Cream, but you can't just spend your entire life just bouncing up and down, right? Sometimes bad or sad things happen. Heroes die, girlfriends leave...it's all just part of life...and that is one thing this record is full of. It is almost impossible to pick a favourite track here, but I've settled for the opening track. The first time I listened I thought there was something wrong with the recording in the beginning...and then drums kicked in properly...and I was totally blown away. Awesomeness indeed.

Favorite track: First Of All

I think that's it. Can't wait to see what 2012 has in store for us...I hear rumours of a Japanther European tour in February! Eeeek!

Wednesday, 7 December 2011

Top-10 gigs of 2011

Here goes...the ten best/most memorable gigs I've been to this year.

10. Let's Wrestle (26th February 2011, The Victory)
This one was a hard one to decide on. I've been to so many great shows this year...but there can only be ten in a top-10. Maybe it's unfair to pick a gig that I can't really remember much of...all I know is that I had a lot of fun. It was dirty, smelly and hideously cramped but I was too drunk to care. I'm pretty sure it was awesome!

9. The Death Set (13th April 2011, Old Blue Last)
The show that almost didn't happen. The Death Set were meant to play the night before, but had to cancel because of some transport issues. I can't remember happened exactly, but they didn't get to the venue in time for curfew anyway. Luckily, the venue managed to find a slot for them the following night. It was my first time seeing them live and it was just as great as I'd imagined.

8. Withered Hand, Standard Fare and Tigercats (9th February 2011, Catch)
The only show I promoted this year, but it sure was a good one. It didn't matter that it was unbelievably packed, uncomfortable and almost impossible to see anything. All three bands were incredible that night.

7. Allo Darlin' (Greg's garden)
I've seen Allo Darlin' play all sorts of venues this year, but this was probably the one I enjoyed the most. Playing in the garden at a friend's birthday party, the band came alive in a different way than normal. I love how these kind of small shows makes bands relax and just have fun.

6. Half Japanese (31st May 2011, The Scala)
I had seen Half Japanese play an amazing show in Barcelona just a couple of days earlier, but this was even better. Everything was spot on. They played all the the songs I wanted to hear and Jad made full use of his amazing bendy guitar.

And with support from Let's Wrestle and The Lovely Eggs of course this was an awesome evening!

5. Times New Viking, Veronica Falls (3rd May 2011, XOYO)
This was a great night. I hadn't seen Veronica Falls for a long time and was really excited about hearing some new stuff. They certainly didn't disappoint and I rememeber being blown away by how great they were live. Times New Viking are always awesome and this show was no different. To finish off a great set they tried to play Fuck Her Tears (one of my favorite tracks on the new record) twice, before giving up. The guitar strings just couldn't handle it and snapped during the intro both times. Great end to an awesome show.

4. Humousexual (25th February 2011, Andrew's living room in Notting Hill)
Now this is what I'm talking about! It doesn't get much better than a proper bedroom show. Humousexual in a small bedroom, playing to just a handful of people. This was very special indeed.

3. Japanther (14th February 2011, Tufnell Park Dome)

I've seen Japanther five or six times and it's never been less than amazing. This show in North London was one of the best. The atmosphere was just unbelievable. Not many bands can get a London crowd going like these guys can.

2. Math The Band x 3 (Guildford/Harlow/Tunbridge Wells, October 2011)

I'd been wanting to see Math The Band for a looooong time and I never expected to have to thank Wheatus for finally making it happen. Kevin and Justine were invited to join the more-than-just-a-little-older-than-teenage dirtbags on an insane UK tour that lasted something ridiculous like five weeks.

I skipped the London show and instead decided to visit some nearby towns and venues I'd never been to. It was weird and great on so many different levels. Great to see one of my favorite bands play to a packed venue...weird that it was happening in Harlow, Guildford and Tunbridge Wells....and even weirder that they were supporting Wheatus, a band that played my University graduation ball ten years ago!

Anyway, every single show was great and the only thing I regret now is not going to more of them.

Finally...

1. Weezer (6th July 2011, Brixton Academy)
I know Weezer doesn't really need the publicity and in general I tend to prefer smaller gigs, so this might come as a surprise. But, the thing is...Weezer at Brixton Academy was just unbelievably AMAZING!

Just look at the setlist! (from http://lullabyforwayne.blogspot.com)

Reading that makes me want to go to that show again and again and again and again...you get the point. And Male Bonding were supporting! Best gig of 2011. FACT!

That's it. My ten gigs of 2011. Many awesome shows have been left out. Other incredible gigs that spring to mind are Proper Ornaments at Power Lunches, Pulp in Hyde Park, Enfant Bastard in Edinburgh, Cloud Nothings at CAMP Basement, Omi Palone at Duke Of Uke, Best Friends Forever and The Middle Ones at the Old Blue Last, Anguish Sandwich at Indietracks, Spaghetti Tree weekend in Peckham (with Japanther, Please, John Maus etc) and the awesomeness that was Primavera Sound in Barcelona.

Bring on 2012! I noticed on Songkick that my teenage heroes Guttermouth are playing in London in March. I might have to go, just for old times' sake. One of the first big concerts I ever went to was to see them support The Offspring in Gothenburg in 1994. Shit, I feel old.

Wednesday, 1 June 2011

The Lovely Eggs, Let's Wrestle and Half Japanese live (Scala, 31st May 2011)

After a week of live music I didn't really think I could handle any more for a while. I had decided to stay home despite the amazing triple-bill lined up by Upset The Rhythm at the Scala. But, but, but...that line-up! Seriously. How could I not go? So, of course we went.

The Lovely Eggs were great, rocking harder than I think I've ever seen them before. Maybe it was the influence of Jad Fair sitting on stage and watching.



Let's Wrestle were LOUD! They are always going to be great, but it really is a band I want to see in a dirty basement and not the Scala. They didn't seem to go down too well (someone even threw a beer at Wes) with the strangely passive crowd, but they soldiered on. Despite having just released a record in the last month, they managed to play a selection of even newer songs.


Finally, the legendary Half Japanese. I saw them at Primavera on Friday and they were one of the highlights of the festival. Last night was even better. An incredible set, they played many of the classics. Red Dress, Secret and Firecracker...they were all there. The absolute highlight though was the incredible performance of I'll Change My Style. Absolutely brilliant!





In the end I was so glad I went. I even slipped Jad a copy of the Fika cassette that has the song Jad Fair Drew Me A Duck on it. I wonder if he'll listen to it?

Tuesday, 22 February 2011

Video of the day (Let's Wrestle - We Are The Men You'll Grow To Love Soon)

There's a crazy amount of exciting music-related things happening this week. Some of them I have no particular interest in talking about, some are doing fine without me talking about them, some I don't think I'm really allowed to talk about....and then there are some that I can and will talk about.

Like Let's Wrestle, for example. They're playing a free show at The Victory in Hackney on Saturday and if their support slot at the Allo Darlin' show the other week is anything to go by, it's going to be a great show.



Also playing are Girls Names, Proper Ornaments and Sea Pinks. It'll be great.

Tuesday, 8 February 2011

Allo Darlin and Let's Wrestle live (The Lexington, 7th February 2011)


Last night I went to my first Allo Darlin' show of 2011. They were great as usual, running through quite a few "new" songs that, after extensive touring, now are as tight as the older ones. The crowd was a bit rubbish though; not as energetic as I'm used to at AD shows. But, I guess it was a Monday.


Support came from Red Shoe Diaries and Let's Wrestle, playing under the name Apartment Pony. Let's Wrestle are one of my favorite London bands and it had actually been a few years since I'd seen them, so this was a big treat. And I wasn't disappointed. They were absolutely brilliant, playing quite a few new songs that I can't wait to hear on record.

Here's a video of the end of their set, the song Insects, followed by a massive instrumental rock-out.

Tuesday, 6 April 2010

Damn you, Sister Ray

So, I went a little crazy in Sister Ray this afternoon. Well, not THAT crazy, but with another week until pay day I really shouldn't have bought three albums. But, but, but...I did and despite having had them all as mp3's for ages I'm still very pleased with each purchase.

First one up was Let's Wrestle - In The Court Of The Wrestling Let's, an absolute gem of an album, recorded by the awesome Simon Trought at Soup Studios. The vinyl is limited to 300 copies and comes in a hand screen-printed sleeve, complete with finger marks and everything. My copy is number 287, and since it's been out for a while I'm sure they must be running out. But, if you hurry up you can still order it from the Stolen Records website and so you should. Go! They really are one of the most impressive London bands out there at the moment. I really need to get my shit together and see them live again soon. It just always seems to clash with something. Then, when I tried to catch them at South By South-West, the PA had blown at the stage, so I had to move on. They're still away in the US, now touring with Quasi , which sounds like a pretty amazing combination to me.

Next one was PENS - Hey Friend! What You Doing? I absolutely love this album. It's loud, messy and incredibly fun lo-fi garage noise pop. It sounds absolutely awful and totally awesome at the same time. Here, have a taster before you run and buy it. This is one of the stand-out tracks on the album.

PENS - High In The Cinema

Then, when you've fallen in love with these London girls, head over to any decent record shop and get it. Or pick your favorite online retailer, for example Rough Trade. Yay!

Finally, I got an old favorite. Pit Er Pat - High Time, an album that was made for vinyl. It sounds just lovely. They're so far from everything else I listen to, still I can't help but loving them more and more each listen. Fay's voice might be annoying to some, but to me it's just spell-binding, strong and and fragile at the same time. The record isn't in great condition (which is probably why it only cost seven quid), but it still sounds miles better than my mp3's. The record is a couple of years old now, so it might not be readily available. However, the Thrill Jockey website is selling it for $10 (for some reason $3 cheaper than the CD) and you really can't go wrong with that. Still have no idea why they cancelled their recent London show. I can only hope it wasn't anything serious and that they'll reschedule it.

Hmm...that's about it for now. Tomorrow, I'm gonna have to take a different route home. The new Quasi album looked a bit too tempting today.

Thursday, 19 February 2009

February mix

I feel like sharing. Here's a bunch of songs that for one reason or another all have been played a lot this year. Some of the artists are mega famous, some are virtually unknown. Some I only discovered this year, some have been personal favorites for years. The only thing they really have in common is that they've all left a deep mark on me. 

I don't Weezer needs an introduction. This song is a B-side and was first brought to my attention in the Kevin Smith film Mallrats. 

I wrote about Trouble Books in one of the very first posts on this blog. I can listen to this song on repeat. I can't really explain why, but it just gets to me. It's only a minute long. Unfortunately the file is twice that size, but my computer skills are not great enough to sort that out manually.

The Replacements have been close to my heart for about seven or eight years and picking one song to share with the world was always gonna be a nightmare. This, like most of Paul Westerberg's songs, is just great.

I do love The Moldy Peaches. Silly, rude, simple, but oh so much fun. The live version of Rainbows is probably better than this "properly recorded" one, but just the idea of recording this song in a studio makes me smile. Perhaps the funniest first verse ever.

First time I saw Viking Moses was at the End Of The Road Festival in 2007 and he just blew me away. His voice is extremely powerful and just...well...insane. This song is relatively straight forward, but astonishing nonetheless. Genius. Check out the video on youtube.

Me and Bill Moustache once bumped into the boys in Let's Wrestle outside the Macbeth in Shoreditch. They almost begged us to go in to watch them and even put us on the cheap list. We went in and were pretty disappointed. A year later they are huge (well, you know...in my world) and I decide to give their album a go. Wow! It's fast, funny, sweet, angry and just brilliant. The most exciting young rock band around? Probably.

The Robot Ate Me is one of my favorite bands and I brought singer Ryland Bouchard to London in January to do a show at The Wilmington Arms. Not many people showed up to what was an absolutely breathtaking performance. 

As I said in my previous post, Roky Erickson has been on my mind a lot recently. This song is a personal favorite.


As usual, please support these artists in any way you can, by going to gigs or buying their stuff.